JULIO LE PARC
Continuel-lumière avec 49 cylindres-vitesse rapide, 1967 |
Using light as a medium means a separation from static, motionless work. It is not forever. Through a series of interventions and experimentation Le Parc manipulates this quality, combining it with various reflective materials (Plexiglas, prisms of various shapes, magnifying glass, projections etc) to surrounded the viewer by moments of change and transience, also allowing for their presence to impact upon the work, displacing the usual conventions of the public - art relationship.
Continuel-lumière avec formes en contorsion, 1966 |
Cloison à lames réfléchissantes, 1966 |
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